Cathartic Glitch covers work from pop culture to New Media Art, sharing essays, short reviews, quick recommendations, and deeper breakdowns of what is worth your time and what is worth revisiting. It focuses on how each piece is built and what it is trying to do, whether it is a major release, a small project, or a gallery show. It links ideas across formats, looking at how different spaces shape each other, how a style can move from the internet into museums, how music, sound design, pacing, and structure can reshape a moment in a film or a game, and how interactive design can shift storytelling by changing how the audience can interact and shape what happens, not just what they can watch. When the art uses technology as the main material, built from screens, software, and systems, that is treated as part of the work itself, not an extra detail. The goal is to take every format seriously without ranking them. If something is well made and has something to say, it belongs here.
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From Wakanda in the film Black Panther to Janelle Monáe’s futuristic video worlds, Beyoncé’s chrome-heavy Renaissance performances, and the cosmic music of Flying Lotus, Afrofuturism now stands at the center of pop culture as a vivid form of Black future-making
