This site covers work from pop culture to New Media Art, sharing essays, short reviews, quick recommendations, and deeper breakdowns of what is worth your time and what is worth revisiting. It focuses on how each piece is built and what it is trying to do, whether it is a major release, a small project, or a gallery show. It links ideas across formats, looking at how different spaces shape each other, how a style can move from the internet into museums, how music, sound design, pacing, and structure can reshape a moment in a film or a game, and how interactive design can shift storytelling by changing how the audience can interact and shape what happens, not just what they can watch. When the art uses technology as the main material, built from screens, software, and systems, that is treated as part of the work itself, not an extra detail. The goal is to take every format seriously without ranking them. If something is well made and has something to say, it belongs here.
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In the online exhibition Artificial Lines of Flight at The Wrong Biennale, artists use AI to loosen the idea of the single creator, turning images into unstable spaces shaped by prompts, systems, environments, and machine response.
Formidiables, an online pavilion within The Wrong Biennale, treats AI horror as a force that pulls images back toward bodies. Instead of drifting into pattern or pure atmosphere, the work insists on faces, anatomy, and presence. The unease comes from distortion, but the main effect is figurative: the human and the creature return as the center of attention.
The online exhibition Dr!nk Water in The Wrong Biennale works like a collaborative archive that never settles. Chat fragments, recovered files, and AI remixes get absorbed, reshaped, and returned as new artifacts, so the exhibition behaves more like a living system than a finished collection.
A hole is not only “nothing.” In art, it pulls attention and reorganizes feeling. From the “everything bagel” in Everything Everywhere All at Once to the click-through rooms of The Doughnut (W)Hole, holes become images, interfaces, pauses, and traps. They make edges matter, turn silence into content, and ask what happens when the center refuses to be filled.
Art After AI proposes a simple recalibration: stop asking if the image is real, and start asking what it does. The exhibition treats images as social actors, shaping memory, politics, and desire. It invites viewers to practice skepticism without surrendering wonder.
The internet does not only connect people. It categorizes them, ranks them, and assigns value to their visibility. Constant Dullaart’s work exposes that pricing system by intervening in the mechanisms that turn profiles into products and attention into a market.
In the website artworks of Rafaël Rozendaal, a loop turns code into a living painting. That same loop can leave the laptop and fill a room when his animations appear on museum scale screens, where light becomes architecture and repetition becomes atmosphere.
Michael Hansmeyer is at the forefront of a revolution in architecture, one driven by the power of algorithms and computational processes. His innovative approach to design merges the realms of computer science and architecture, producing creations that challenge our traditional understanding of form and complexity. Born in Germany, Hansmeyer has cultivated a unique career path, […]
Laturbo Avedon is a digital avatar and conceptual artist who has gained significant recognition in the realm of virtual and contemporary art. Created by New York-based artist Lu Yang, Laturbo Avedon is not merely a character but an embodiment of the intersection between technology, identity, and creativity. This avatar’s existence challenges traditional notions of authorship, […]
The evolution of artificial intelligence (AI) in art is a fascinating journey that has transformed creative processes and outcomes over the past few decades. Starting in the 1990s and progressing to the present day, AI’s role in the art world has expanded dramatically, offering new tools, techniques, and perspectives that continue to shape the future […]
In the ever-evolving landscape of contemporary art, where boundaries blur and definitions dissolve, Rosa Menkman emerges as a pioneer in the realm of glitch art. Glitch art, characterized by its deliberate manipulation and exploitation of digital or analog errors, challenges conventional notions of perfection and beauty. Through her innovative work, Menkman disrupts the binary understanding […]
Andy Warhol, the vanguard of the pop art movement, left an indelible mark on the art world with his boundary-pushing techniques and unorthodox approach to creativity. While renowned for his traditional mediums such as painting and printmaking, Warhol’s exploration of computer art stands as a testament to his enduring quest for innovation. This essay delves […]
Central to Kudsk-Steensen’s practice is a deep reverence for the natural world and its intricate ecosystems. Drawing inspiration from his background in ecology and biology, he creates digital landscapes that pulse with life, offering a glimpse into the wonders of the natural world. Through meticulous attention to detail and cutting-edge technology, he constructs immersive environments […]
Marjan Moghaddam, a trailblazing digital artist, has revolutionized the landscape of contemporary art with her boundary-pushing work that seamlessly merges form, representation, and technology. Let’s delve into the captivating evolution of her artistry and explore the transformative impact she has made on the art world. #GlitchGoddess Interventions: A Digital Rebellion Moghaddam’s #arthacks and #glitchgoddess series […]
In the realm of contemporary art, where boundaries between the physical and digital worlds blur, TeamLab stands as a pioneering collective redefining the very essence of artistic expression. Through their immersive and interactive digital installations, TeamLab transports audiences into captivating realms where art, technology, and nature converge in breathtaking harmony. With exhibitions spanning the globe […]
